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Upcoming Solo Exhibition, Plein-Air painting in Australia, Profile È£ÁÖ °³ÀÎÀü, ÇöÀåÀÛ¾÷, ¾à·Â
Solo Exhibition
Title : A Fantasy of Blossoms Date : October 1~30 (Gallery opens 10-4 Monday ~ Friday, Sat 10-2, Sunday Close.) Opening Night : Friday 5th October at 6~8:30pm Where : One Arts Gallery Address : Cnr Verona St and Via Roma, Isle of Capri. Surfers Paradise, Gold Coast, Queensland. 4217 Australia Gallery contact : 0400139 889 www.oneartsgoldcoast.com Artist contact : +82 10 6591 3338 changhan64@hanmail.net www.kch.pe.kr www.facebook.com/changhan.kim.370 Workshops : Saturday 6th October at 10am to 4pm
A cultural Exchange : Since July 2005, I have traveled frequently a very long distance to visit a familiar country, Australia, I have had several international exhibitions include solo exhibitions. Over the past years, I have created many art works in Australia. I was sure I could share my ideals with the world, through art. What I have painted on the canvas represents, for me, a going back to nature and a return to the human¡¯s pure, native state.
Maehwa of Korea : My ¡°Maehwa(Plum Blossoms)¡± paintings reach beyond the mere aesthetic beauty of the subject, bringing to bear symbolic meaning, especially in the realm of Korea¡¯s emotional disposition: the noble character and strong discipline of the dedicated scholar.
It is easy to imagine the tree and its beautiful flowers as symbolic of struggle and life¡¯s perpetual soldiering on. The act of blossoming is both gentle and forceful. The petal¡¯s delicacy contrasts to gnarled boughs and rough twisted trunks. The Maehwa stretches toward the unreachable sky with an unyielding tenacity.
Plein-Air painting SEP 16 ~ 26 : In Uki (N.S.W.) Subject: Blooming blossoms SEP 28 ~ Oct 10 : In Surfers Paradise (Gold Coast) Subject: vibrant ocean OCT 11 ~ Nov 4 : In UQ (Brisbane) Subject: Blooming blossoms - Jacaranda
Profile summarized Education 1991 : M.F.A. Painting, Hong-ik University, Seoul 1987 : B.F.A. Painting, Hong-ik University, Seoul Self Published Art-Book 2010 Solo Exhibitions : 1991~2018 : 41 times (Korea, U.S.A, Australia, Japan, Luxembourg) Art Fair & Biennale Exhibitions : 2005~2018 : 11 times (Korea, U.S.A, Japan, Italy) Group Exhibitions : 1987~2018 : 200 times (Korea, U.S.A, Australia, Japan, Canada, China, Singapore, Myanmar)
Recent Solo Exhibitions 2018 : March 1~18, Gallery Doo (Seoul, Korea) ¡°Invitational¡± Title: Vital Fantasy http://www.artv.kr/?p=4457 June 6~25, Arts KoCo Gallery (Luxembourg) ¡°Invitational, include Residence¡± Title: Vital Fantasy...Luxembourg ~ Korea http://artskoco.com/work/#/chang-han-kim October 1~30, One Arts Gallery (Gold Coast, Australia) Title: A Fantasy of Blossoms https://oneartsgoldcoast.com November 27~December 3, Gallery Doo (Seoul, Korea) ¡°Invitational¡± Title: Impressions from Afar – A Visitor¡¯s Perspective December 11~16, Ulju Arts Center (Ulsan, Korea) ¡°Sponsored by Ulsan Metropolitan City, Ulsan Arts and Culture Foundation¡± Title: Utopia of Public Art in Korea and Foreign Lands www.uljuart.or.kr
2017 : February~March : Tongdo-sa Museum (Yangsan, Korea) ¡°Invitational¡± Title: Maehwa (Plum Tree) Blossoms http://tongdomuseum.or.kr/main/main.php http://tongdosa.or.kr February~March : Posco Gallery (Pohang, Korea) ¡°Invitational¡± Title: Blooming April : Arioso Gallery (Ulsan, Korea) ¡°Invitational¡± Title: Apple Tree – Vital Fantasy
2016 : anuary~Frbruary : Plartform Gallery (Goseong, Korea) ¡°Invitational¡± Title: Winter Sea - Vital Fantasy June~July : Geumnyeosan Gallery (Busan Museum of Art, Korea) Sponsored by Busan Metropolitan City Cultural Foundation" Title: Sea - Vital Fantasy http://art.busan.go.kr/07_info/info07.jsp August~September : Prak-sis Gallery (Chicago, IL, U.S.A.) ¡°Invitational¡± Title: Maehwa (Plum Tree) Blossoms & Recent works October : P&O Gallery 1, 2 (Busan, Korea) Title: Impression from Afar - A Visitor's Perspective
Collections My work is on permanent display in the following locations: Domestic(Ulsan) : Ulsan Metropolitan City, Ulsan Metropolitan Office of Education, The Lotte Hotel, Tongdo-sa Temple, Hyundai Arts Center, Ulsan High School of Arts, The Ulsan Culture & Art Center, SMS Korea, Ulsan Institute of Foreign Language Education, Numerous individually owned pieces in Ulsan and other cities in Korea
Overseas : Australia - Gold Coast City Hall, numerous individually owned pieces America - IVY TECH(Community College, Bloomington), numerous individually owned pieces Canada, Japan, New Zealand, Germany - Individually owned pieces
Here are some videos to enjoy my art. 'Maehwa (Plum Tree) Blossoms¡¯ https://www.youtube.com/watch?v=DQvGh63odNA 'Sea - Vital Fantasy¡¯ https://www.youtube.com/watch?v=R6j8rl8Noqo Recent Solo Exhibition https://www.youtube.com/watch?v=DmtGdIt9G_Y Recent Solo Exhibition http://www.artv.kr/?p=4457 Never Sleeping - Dynamic City Ulsan https://youtu.be/xyFlx1S3XFY
1, »ý¸íÀÇ È¯Èñ Vital Fantasy in Australia 2017-1, Oil on linen 80.3x116.8cm 2, »ý¸íÀÇ È¯Èñ Vital Fantasy in Australia 2017-2, Oil on linen 80.3x116.8cm 3, ¸ÅÈ(ØÞü£) Maehwa (Plum Blossoms) 2018, Oil on linen 116.8x72.7cm 4~7, Detail of #1 ÀÛÇ°1 ºÎºÐ 8~11, Detail of #2 ÀÛÇ°2 ºÎºÐ 12~15, Detail of #3 ÀÛÇ°3 ºÎºÐ Plein-Air painting in Korea in 2018 ÇöÀåÀÛ¾÷ Plein-Air painting in Australia in 2017 ÇöÀåÀÛ¾÷
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¿ìÆí¹øÈ£: 265400 ÀüÈ: 139-5353-9199 Mr Yu Zhaoli – 128 Fuqian Road, Zhaoyuan City, Shandong Province, China Zhaoyuan Literature and Art Association
¿µ¹®ÁÖ¼Ò Attn: Piao Fuzi Room 401, Entrance 1, Building 33, Lihuguojicheng, Zhaoyuan City, Shandong province, China Mobile: 15553557532
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The manager : ÀÛÇ°À» ¸ÅÈ ÀÛÇ°À» ¸¹ÀÌ ±×·È´Âµ¥ ±×µ¿¾È ¸î Á¡À» ±×·È½À´Ï±î? Me : Á¤È®ÇÑ ¸ÅÈ ±×¸²ÀÇ ÀÛÇ°¼ö¸¦ Çì¾Æ¸®±â ¾î·Á¿îµ¥, 18³â µ¿¾È ±×°÷¿¡¼ ±×·È½À´Ï´Ù. Å«°Íµµ ±×·È°í ÀÛÀº °Íµµ ±×·È´Âµ¥, °¥¼ö·Ï ĵ¹ö½º Å©±â°¡ Ä¿Á³°í, ¿©·¯°³ÀÇ Äµ¹ö½º¸¦ ¿¬°áÇÑ ½Ã¸®Áî ÀÛÇ°µµ ±×·È°í, Å« ÀÛÇ°ÀÇ °æ¿ì ÇÑÇØ¿¡ ³¡³»Áö ¾Ê°í ´ÙÀ½ÇØ¿¡ ÀÌ¾î¼ ±×¸®±âµµ Çß½À´Ï´Ù. Àå¼Òµµ ÇÑ°÷¿¡¼¸¸ ±×¸° °ÍÀÌ ¾Æ´Ï¶ó ¿ì¸®³ª¶ó µ¿³²ÂÊ Áï ¿ï»ê/ºÎ»ê¿¡¼ ¸ÕÀú ÇÇ°í ³ª¸é ³²ÂÊÁö¹æ°ú ¼ÂÊ Áö¸®»ê±îÁö À̵¿ÇÏ¸é¼ 1¿ù´ÞºÎÅÍ 3¿ù´Þ±îÁö ÇöÀå¿¡¼ ¸Åȸ¦ º¸¸é¼ ±×·È½À´Ï´Ù.
The manager : Àú´Â ¸ÅÈÀÇ ´À³¦ÀÌ... ¸ð¾çµµ ÁÁÁö¸¸ Çâ±â°¡ ¾ÆÂñÇÒ Á¤µµ·Î ÁÁ¾Ò´Âµ¥, ¼±»ý´ÔÀº ±×°÷¿¡ ´Ã °è¼Ì´Âµ¥ ¾î¶®½À´Ï±î? Me : Çâ°ú ¿À·¡µÈ ³ª¹« Áï °í¸Å°¡ ¸ÚÀÖ½À´Ï´Ù. ¿ÂÁ¾ÀÏ ÁöÄѺ¸¸é¼ ±×¸®´Ùº¸¸é ´Ù¾çÇÑ ½Ã°¢ÀûÀÎ º¯È¿Í ±âÇ° ÀÖ´Â ÇâÀÌ ÁÁ½À´Ï´Ù.
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The manager : Á¦°¡ µè±â·Ð ¿Ö ÇöÀå¿¡ ³ª¿Í ÀÖ´ÂÁö, ½ÇÁ¦·Î ¿©·¯ ÇöÀå¿¡¼ ±×¸®´Â ÀÌÀ¯°¡ ¹«¾úÀԴϱî? Me : ¹Û¿¡¼ ±×¸± ¶§ À¯¸®ÇÑ Á¡Àº, ¹Û¿¡¼ ±×¸®¸é ÇØ°¡ °è¼Ó ¿òÁ÷À̱⿡ ºû°ú ±×¸²ÀÚ°¡ °è¼Ó º¯ÇÏ°í ²Éµµ ¸í¾Ï°ú »ö°ú ÇâÀÌ °è¼Ó ´Ù¸£°Ô ¿Í ´ê½À´Ï´Ù. ±× ÀÚü°¡ »ì¾ÆÀÖ´Â °ÍÀ̱⿡ ±×¸²¿¡¼ ´Ù¾çÇÏ°í º¯È¹«½ÖÇÏ°Ô ±×¸± ¼ö ÀÖ´Â ÀåÁ¡ÀÌ µË´Ï´Ù.
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The manager : ´ëÀÛÀ» ÁÖ·Î ¸¹ÀÌ ÇÏ´Â °Í °°¾Æ¿ä. Me : ¾Æ¹«·¡µµ ÇöÀåÀÇ °¨µ¿ÀÌ Å©±â ¶§¹®¿¡ ĵ¹ö½º¸¦ ¿©·¯ °³ ¿¬°áÇؼ ´ëÀ۽ø®Áîµµ ±×¸³´Ï´Ù. ±×¸¸Å »ý°¢ÀÇ ±íÀÌ¿Í ÆøÀÌ ³Ð¾îÁö±â¿¡ ÀÛÇ°ÀÇ Çü½Ä°ú ³»¿ëÀÇ º¯È¸¦ ã°Ô µÇ´õ±º¿ä.
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The manager : ±×·³ Àá½Ã ½¬¾ú´Ù 2ºÎ¿¡¼ ´Ù½Ã ÁøÇàÇÏ°Ú½À´Ï´Ù.
The manager : Hello. Today we'll talk about Mr Kim Changhan's oeuvre and his life. Thank you for coming here mr kim.
Me : Nice to meet you.
The manager : You're working at the park in the United Nation Memorial Cemetery in busan. There are a lot of cherry blossoms? I saw cherry blossoms at the park too. Don't you think their colors are so good? How long are you planning to work their?
Me : It is at the peak of the time. I've been drawing for a week and planning to stay a week more.
The manager : We've first met when you were drawing Jajamae at Tongdo temple. I was very impressed by you, working with huge canvas. Isn't it hard to work at the sight?
Me : I'm used to it so I'm okay.
The manager : I used to go there to take a picture and you were alway standing there like a statue. I was deeply impressed by that. Like an old saying "Cherry blossom dosn't sell it's scent to cold" you stayed still at there. How was it?
Me : Cherry blossoms in this cold season is more dramatic and has strong scent.
The manager : You've been drawing a lot cherry blossoms, how many work has been done?
Me : Can't tell exactly how many, but I've been drawing for 18 year. There are small works and big works. But as time goes by, I prefer bigger canvas and tried some series which is drawn in separate canvas. Also big paintings took more then a year to finish it. I've been moving from Ulsan/ Busan to Mt. Jiri through January to March, to follow the cherry blossom.
The manager : I also like the scent of cherry blossom, how do you think about it, after spending so many time infront of it?
Me : I really like scent of old cherry blossom. Standing there all day, I can feel the diverse change and elegance.
The manager : Photographers take picture at early morning and late afternoon, how about you?
Me : Like photograph, light and shade is important in painting. But liveness is also important in working at sight. Dramatic effect made by changes of weather is fascinating. So I try to remeber the beautiful moment and try to express it. It could be different with photograph or cherry blossom what you've seen.
The manager : You prefer to work on sight, as I know. Is there any special reason for that?
Me : As working on sight, I can feel the changes of moving sun, chaning shadow, different scnet and shade of flowers. It is life it self and it helpt me to draw the diversity and dynamic nature.
The manager : Very impressing. You've graduate Hongik university? What brought you to Busan?
Me : After graduating graduate school, I've came to Busan to work as partime lecturer at 1991. After that I went to Ulsan and lived there over 30 year. I worked as high school teacher retired 8 and a half year early to focus on art work.
The manager : It would have been very challanging to leave stable job and go abroad. What did you work on at there?
Me : I tried to paint the feelings and liveness of the foeign country visiing Europe, Austrailia, Miyanama and China.
The manger : I see your doing a lot of big works.
Me : I want to express the huge impression which i've felt while visiting many countrys so I prefer to work on big painting.
The manager : What did you felt on art fair and biennale?
Me : I participated at there but right now I want to focsus on invitational exhibition in Korea and abroad.
Me : I agree. I tried divers way to release my works, but right I think that it is more important to express paiter's uniqueness and indivisuality. So I want to focus on priviate exhibition.
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