Author KCH Date 2022-09-05 23:41:13
 Title Incheon Korea Art Festival ÀÎõ ÄÚ¸®¾Æ ¾ÆÆ®Æ佺Ƽ¹ú
2022 ÀÎõ ÄÚ¸®¾Æ ¾ÆÆ®Æ佺Ƽ¹ú
±â°£ : 10/12 ¼ö ~ 16 ÀÏ
Àå¼Ò : ÀÎõ ¼ÛµµÄÁº¥½Ã¾Æ 2Àü½ÃȦ - ÀÎõ±¤¿ª½Ã ¿¬¼ö±¸ ¼¾Æ®·²·Î 123
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VIP, PRESS ¿ÀÇ – 2022.10.12.(¼ö) 14½Ã~19½Ã (°³¸·½Ä 16½Ã~17½Ã)
ÀÏ¹Ý ¿ÀÇ - 2022.10.12(¼ö) ~ 10.15(Åä) 10½Ã~19½Ã
2022.10.16.(ÀÏ) 10½Ã~16½Ã (ÀÔÀ帶°¨ 15½Ã)
* ºÎ½º : C3 (3x3x9m), ¹Î¿þ¿õ C4 (1.5x1.5x7m)
* ÀÛÇ°¹ÝÀÔ/µð½ºÇ÷¹ÀÌ : 10¿ù 11ÀÏ(È­) 16:00¡­21:00
¹ÝÃâ: 10¿ù 16ÀÏ(ÀÏ) 16:00~18:00
* ¿î¿µÀ§¿øÀå ¸í³ë¼±(010-2474-7476), »ç¹«±¹Àå
ÀÌÅ°æ(010-9378-4707), ÀÎõ¹Ì¼úÇùȸ (032-867-2196)


ÀÛÇ°¼¼°è :
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2000³â´ëºÎÅÍ ÀÛÇ°Àº »ý¸í·Â ³ÑÄ¡´Â ¹Ù´ÙÀÇ »ç°è¿Í ¸ÅÈ­ Áï, Çѱ¹ °í¸ÅÀÇ ¾Æ¸§´Ù¿ò¿¡ ´ëÇÑ Çö´ëÀû Ç¥Çö¿¡ °ü½ÉÀÌ ¸¹´Ù. ¾Æ¿ï·¯ 2018³â ºÎÅÍ ÇØ¿Ü ¾ÆÆ®Åõ¾î¿¡ ¸¹Àº °ü½ÉÀ» ½ñ°í ÀÖ´Ù.

À̹ø Àü½Ã¿¡ ÃâÇ°ÇÒ ´ëÇ¥ÀÛ ¸ÅÈ­½Ã¸®Áî´Â ½Ã°¢ÀûÀÎ ¾Æ¸§´Ù¿ò°ú ±ºÀÚ(ÏÖí­)ÀÇ ÀýÁ¦µÈ Á¤½Å¼¼°è¸¦ °­Á¶Çß´Ù. Çѱ¹Àû Á¤¼­¿Í ¼øȯÇÏ´Â ÀÚ¿¬ÀÇ ¾Æ¸§´Ù¿ò, »îÀÇ À±È¸¿¡ ´ëÇÑ °æÀ̷οò ±×¸®°í Âù¶õÇÑ »ý¸íÀÇ È¯Èñ¸¦ ±×·È´Ù.

¾à·Â :
1987 : È«ÀÍ´ëÇб³ ¹Ì¼ú´ëÇÐ ¼­¾çÈ­°ú Á¹¾÷
1991 : È«ÀÍ´ëÇб³ ´ëÇпø ¼­¾çÈ­°ú Á¹¾÷
2010 : °³ÀÎ ÀÛÇ°Áý¹ß°£(µµ¼­ÃâÆÇBMK-¿µ¹®/ÇѱÛ)
1991~2022 : °³ÀÎÀü 49ȸ(±¹³»/ÇØ¿Ü-¹Ì±¹, È£ÁÖ, ÀϺ», ·è¼ÀºÎ¸£Å©, ¹Ì¾á¸¶)
2005~2022 : ¾ÆÆ®Æä¾î/ºñ¿£³¯·¹/ºÎ½ºÀü 14ȸ(±¹³»/ÇØ¿Ü)
2005~2020 : ±¹Á¦±³·ùÀü/¿öÅ©¼¥ ±âȹ 5ȸ(±¹³»/È£ÁÖ)
1987~2022 : ´ÜüÀü ¾à220ȸ(±¹³»/ÇØ¿Ü)
website : www.kch.pe.kr
Mobile : 010-6591-3338
Email : changhan64@hanmail.net


ÀÛÇ°¼ÒÀå :
±¹³»: ¿ï»ê½Ã¸³¹Ì¼ú°ü, ¿µ´ãÇÑÁö¹Ì¼ú°ü, ¿ï»ê½Ãû, ¿ï»ê½Ã±³À°Ã»,
·Ôµ¥È£ÅÚ, Çö´ë¿¹¼ú°ü(Çö´ëÁß°ø¾÷), ¿ï»ê¹®È­¿¹¼úȸ°ü,
Åëµµ»ç µî ±¹³» ±â°ü/°³ÀμÒÀå ´Ù¼ö
ÇØ¿Ü: È£ÁÖ-°ñµåÄÚ½ºÆ®½Ãû, ¹Ì±¹-IVY TECH(Community College, ºí·ç¹ÖÅÏ),
µ¶ÀÏ/ÀÌÅ»¸®¾Æ/·è¼ÀºÎ¸£Å©/ij³ª´Ù/ÀϺ»/´ºÁú·£µå/Áß±¹ µî ±â°ü/°³ÀμÒÀå ´Ù¼ö

±âŸȰµ¿ :
- I.C.C.(International Creative Community)±¹Á¦Ã¢À۹̼ú°øµ¿Ã¼ Çѱ¹Ãø ´ëÇ¥(2007)
- ¿ï»ê±¤¿ª½Ã ºÏ±¸Ã» ±¹Á¦¹®È­±³·ù ÀÚ¹®À§¿ø(2008)
- (»ç)¿ï»ê±¤¿ª½Ã¹Ì¼úÇùȸ °¨»ç(2005)/ÀÌ»ç(1999~2001)
- (»ç)Çѱ¹¹Ì¼úÇùȸȸ¿ø(1991~)
- ¿ï»ê¹ÌÇù»ó(Çѱ¹¹Ì¼úÇùȸ ¿ï»ê±¤¿ª½ÃÁöȸ - ¿ÃÇØÀÇ ÀÛ°¡»ó, 2011)



2022 Incheon Korea Art Festival
When : October 12 Wed ~ 16 Sun
Where : Incheon Songdo Convensia Hall-2

Artist : Kim Chang Han
Education
1991: Master of Fine Art, Dept of Painting, Hong-ik University, Seoul
1987: Bachelor of Fine Arts, Dept of Painting, Hong-ik University, Seoul
Self Published Art-Book in 2010
Solo Exhibitions : 1991~2022 : 49 times (Korea, U.S.A, Australia, Japan, Luxembourg, Myanmar)
Art Fair & Biennale Exhibitions : 2005~2022 : 13 times (Korea, U.S.A, Japan, Italy)
Group Exhibitions : 1987~2022 : About 200 times (Korea and overseas)
Website : : www.kch.pe.kr


The list of the works ÃâÇ°ÀÛ
1, 2019, ¼³Á߸ÅàäñéØÞ Maehwa (Plum Tree) Blossoms in the snow, Oil on linen 112.1x387.8cm 120P ¿¬ÀÛ
2, 2019-ab8, ¸ÅÈ­ Maehwa (Plum Tree) Blossoms, Oil on linen 116.8x72.7cm 50M
3, 2021-bc4, ¹é¸Å Maehwa (Plum Tree) blossoms, Oil on linen 116.8x72.7cm 50M
4, 2022-ad3, ¸ÅÈ­ØÞü£ Maehwa (Plum blossoms), Oil on linen 116.8x80.3cm 50P
5, 2021, ÀÚÀå¸Åí±íúØÞ Jajang Mae (Tongdo-sa Plum), Oil on linen 90.9x65.1cm 30P
6~7, 2022-af5, ¸ÅÈ­ØÞü£ Maehwa (Plum blossoms), Oil on linen 72.7x53cm 20P
2022-af3, ¸ÅÈ­ØÞü£ Maehwa (Plum blossoms), Oil on linen 72.7x53cm 20P
8, 2021-bh6, ¹Ù¶÷ ºÒ¾î ÁÁÀº³¯-Á¢½Ã²É Breezing Petals-Hollyhock, Oil on linen 40.9x27.3cm 6P
9, 2022-df8, ¹Ù¶÷ ºÒ¾î ÁÁÀº³¯-Á¢½Ã²É Breezing Petals-Hollyhock, Oil on linen 40.9x27.3cm 6P
10, 2021-jm2, ¹Ù¶÷ ºÒ¾î ÁÁÀº³¯-¹è·Õ³ª¹« Breezing Petals-Crape Myrtle, Oil on linen 40.9x31.8cm 6F
11, 2022-fc1, ¹Ù¶÷ºÒ¾î ÁÁÀº³¯-Çعٶó±â Breezing Petals-Sunflower, Oil on linen, 40.9x31.8cm 6P
12, 2022-fc4, ¹Ù¶÷ºÒ¾î ÁÁÀº³¯-Çعٶó±â Breezing Petals-Sunflower, Oil on linen, 40.9x31.8cm 6F
13, 2022-fc5, ¹Ù¶÷ºÒ¾î ÁÁÀº³¯-Çعٶó±â Breezing Petals-Sunflower, Oil on linen, 40.9x31.8cm 6F
14, 2022-fc6, ¹Ù¶÷ºÒ¾î ÁÁÀº³¯-Çعٶó±â Breezing Petals-Sunflower, Oil on linen, 40.9x31.8cm 6P
15, 2022-fc7, ¹Ù¶÷ºÒ¾î ÁÁÀº³¯-Çعٶó±â Breezing Petals-Sunflower, Oil on linen, 31.8x40.9cm 6P
16, 2022-ag3, ¸ÅÈ­ØÞü£ Maehwa (Plum blossoms), Oil on linen 27.3x40.9cm 6P
17, 2022-ag4, ¸ÅÈ­ØÞü£ Maehwa (Plum blossoms), Oil on linen 27.3x40.9cm 6P
18, 2022-ag8, ¸ÅÈ­ØÞü£ Maehwa (Plum blossoms), Oil on linen 27.3x40.9cm 6P
19, 2022-ag1, ¸ÅÈ­ØÞü£ Maehwa (Plum blossoms), Oil on linen 27.3x40.9cm 6P
20, 2022-ag9, ¸ÅÈ­ØÞü£ Maehwa (Plum blossoms), Oil on linen 27.3x40.9cm 6P


2022 Incheon Korea Art Festival
October 12 Wed ~ 16 Sun
Incheon Songdo Convensia Hall-2


Artist : Kim Chang Han
Education
1991: Master of Fine Art, Dept of Painting, Hong-ik University, Seoul
1987: Bachelor of Fine Arts, Dept of Painting, Hong-ik University, Seoul
Self Published Art-Book in 2010
Solo Exhibitions : 1991~2022 : 49 times (Korea, U.S.A, Australia, Japan, Luxembourg, Myanmar)
Art Fair & Biennale Exhibitions : 2005~2022 : 13 times (Korea, U.S.A, Japan, Italy)
Group Exhibitions : 1987~2022 : About 200 times (Korea and overseas)
Website : : www.kch.pe.kr

Director of the International Exchange Exhibitions/Workshops
2019 : Workshop - WISTERIA COTTAGE FINE ARTS STUDIO (Tamborine Mount)
2018 : Workshop - One Arts Gallery (Gold Coast)
2007 : Impressions from Afar - A Visitor's Perspective
(Ulsan Bukgu Culture & Arts Center Gallery)
Involved 28 artists(Korean, Canadian, United Kingdom, American, Australian)
2007 January, June~July : I.C.C
International Creative Community Artists Exchange Exhibition & Workshops
(Gold Coast Council Chambers Foyer Gallery, Queensland, Australia)
(Hyundai Arts Center, Ulsan, Korea)
Involved 29 artists(Korean, Canadian, Australian)
2005 : Workshop - Tweed River Regional Art Gallery (NSW, Australia)

Collections
Domestic : Ulsan Art Museum, Yeongdam Hanji Museum, Ulsan Metropolitan City,
Ulsan Metropolitan Office of Education,
The Lotte Hotel, Tongdo-sa Temple, Hyundai Arts Center,
The Ulsan Culture & Art Center,
Ulsan Institute of Foreign Language Education
Numerous individually owned pieces in Ulsan and other cities in Korea
Overseas :
Australia - Gold Coast City Hall, numerous individually owned pieces
America - IVY TECH(Community College, Bloomington), individually owned pieces
Germany, Italia, Luxembourg, Canada, Japan, New Zealand, China – Public and Individually owned pieces


Artist Statement
My consistent interest in art making is to pursue pure and healthy images of humanity and nature: The everyday lives of people, and the purity of nature which overflows with the force of life. I think that nature is not merely a subject to be seen aesthetically but an intermediary which helps me to perceive reality truly and to improve it. I dream of people elated by the harmony between the ideal and the real.

The works of Maehwa (Plum Blossoms) : My Maehwa paintings reach beyond the mere aesthetic beauty of the subject, bringing to bear symbolic meaning, especially in the realm of Korea¡¯s emotional disposition: the noble character and strong discipline of the dedicated scholar.
It is easy to imagine the tree and its beautiful flowers as symbolic of struggle and life¡¯s perpetual soldiering on. The act of blossoming is both gentle and forceful. The petal¡¯s delicacy contrasts to gnarled boughs and rough twisted trunks. The Maehwa stretches toward the unreachable sky with an unyielding tenacity.
The Maehwa blossom season thrills me. This glorious spectacle fills me with a sobering appreciation. Often, I spend several minutes standing in front of the tree, contemplating its beauty and the emotion it stirs. In addition to the connotations of the soldier¡¯s spirit, the Maehwa touches me personally, reminding me of my hometown in spring. I think of my mother's love when I look at the blossom¡¯s inconceivably graceful form.
From late winter to early spring, the flower buds struggle to burst forth in profusion, until all of heaven and earth is embroidered with leaves and flower petals! The cyclical beauty of nature, the miraculous perpetual cycle of life, and splendid joy - all are present here.
The primary setting of The Maehwa Works, the grounds of aged Buddhist temples, nurtures the senses with the savor of the changing seasons, and infuses these paintings with a lively spirituality.
Some of these works were completed in one sitting, while many of them were created over several years. Returning every year afresh to the thematic connotations of the subject has added depth of meaning along with the layers of paint.

Acrylic paint has availed for the expressive technique of rendering the painting¡¯s backdrop, the structural integrity of the Maehwa. Thus, the figure of the tree remains intact while the oil paints are applied. Taking full advantage of both mediums, the material effect is a rhythm with attributes of watercolor in that it is merry and refreshing. So, it can be said that The Maehwa Works enact a harmonious marriage of the positive traits of disparate materials: those traditionally utilized for the painting of a Korean SooMukhwa, and the more modern materials used in Western paintings, which require their own distinct methodology.


Have a click to see for more details.
https://www.newtreasureartgallery.com/exhibitions/2022-incheon-korean-art-festival?fbclid=IwAR1dsR1VTH43HvVlRvwH2ujfrpjHlFPLzhyo7fIIV-Tnwq_SVWJUZ5CFzaY






[Incheon Korea Art Festival ÀÎõ ÄÚ¸®¾Æ ¾ÆÆ®Æ佺Ƽ¹ú] - »çÁøÀ» Ŭ¸¯ÇÏ½Ã¸é ¿øº»Å©±â¸¦ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.


[Incheon Korea Art Festival ÀÎõ ÄÚ¸®¾Æ ¾ÆÆ®Æ佺Ƽ¹ú] - »çÁøÀ» Ŭ¸¯ÇÏ½Ã¸é ¿øº»Å©±â¸¦ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.


[Incheon Korea Art Festival ÀÎõ ÄÚ¸®¾Æ ¾ÆÆ®Æ佺Ƽ¹ú] - »çÁøÀ» Ŭ¸¯ÇÏ½Ã¸é ¿øº»Å©±â¸¦ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.


[Incheon Korea Art Festival ÀÎõ ÄÚ¸®¾Æ ¾ÆÆ®Æ佺Ƽ¹ú] - »çÁøÀ» Ŭ¸¯ÇÏ½Ã¸é ¿øº»Å©±â¸¦ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.


[Incheon Korea Art Festival ÀÎõ ÄÚ¸®¾Æ ¾ÆÆ®Æ佺Ƽ¹ú] - »çÁøÀ» Ŭ¸¯ÇÏ½Ã¸é ¿øº»Å©±â¸¦ º¸½Ç ¼ö ÀÖ½À´Ï´Ù.
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